Gig: JOEY FOURR + Magpies + Baglady @ The Redhouse / Tues 12th May

Ladiyfest are excited to be collaborating with Edge Of The Universe Printing Press to bring you Bristol three-piece JOEY FOURR!


Purveyors of “mushy but insanely catchy drum machine-powered indie pop”, the trio is fronted by pastel-haired prince Joseph Prendergast (ex-Tubelord) with Moe Meade (Dog Legs) and Jack Barraclough (Halo Halo). The pop pedigree proof is in the pudding and we are psyched to present these folks live in Sheffield for the very first time!
My Dolphins:

Support on the night comes from Magpies, a Sheffield based five-piece who seem to rather like cats. Self-described as ‘Bill Callahan meets Bucks Fizz’, they make a thoughtful racket with quietly hypnotic guitars, simple melodic patterns and interesting use of synthesized textures.
I Am A Cat:

We’re super-excited to be hosting one of the first public performances by this super-talented young two-piece. In their own words: “forged in the spooky fires of teen girl coming of age films, Baglady are a grunge band on roller skates (not literally, but we’re working on it)”

Courtesy of the Edge of the Universe Printing Press, we’ll have a stall selling ~*~*ZINES~*~* and ~*~*VEGAN CAKES! ~*~*

And for those pining for Tuesday Club, we’ll have Edge of the Universe and LaDIYfest DJs after the bands for maximum floor-filling fun times. Expect Taylor Swift from Edge of the Universe, and everything else from LaDIY.

£4 suggested donation on the door, nobody will be turned away for lack of funds!
Doors 8pm!

Accessibility info: The venue has a small step on the main door in but there is a ramp and side door available that has access for a wheelchair or anyone with mobility impairment. There is a disabled access toilet available and a seated area to the side of the stage and further seats through a closed door leading to the outside area at the back of the pub.




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Your Feminist Manifesto – make your voice heard!

What would YOU like a feminist government to achieve? With inequality, sexism and violence a part of so many peoples lives, Sheffield’s Feminist Manifesto is a chance to create a list of demands for a government to inspire, liberate and find solutions to these problems.

At 1pm – 3pm on Saturday 25th of April, we invite you to join us at Moor Theatre Delicatessen (The Moor, S1 4PF, Sheffield) to join the discussion, comment and make suggestions for what YOU would like to see a feminist government achieve.

LaDIYfest members have been busily thinking up some issues that a feminist government might tackle – what do you think of them? Do you agree or disagree with them? What other aims would you like a feminist government to have? If you have any ideas, please share them here using the comment box below, and if you can, bring your ideas with you on Saturday 25th April!

Environmental Issues

  • Protect the Hunting Act 2004, which is currently under debate for repeal.
  • Ban fracking in the UK.
  • Awareness raising campaign in schools for menstrual cups (e.g. Mooncup) as a more environmentally friendly menstrual product option.

Sex, Relationships and Body Issues

  • Better sex education in schools, covering topics such as gender identity, consent, contraception, unrealistic gender ideations and body standards portrayed in the media, etc.
  • Standards and legislation to be put in place so advertising/media cannot so openly objectify bodies or use sexualisation as a selling tool.
  • The tax on menstrual care (tampons, sanitary pads, etc.) to be dropped.

Public Places, Transport and Facilities

  • Safe and affordable night-time transport for women, LGBTQ people and more vulnerable members of society
  • A re-haul of what constitutes an accessible bathroom, to be inclusive to gender non-binary and trans* people.
  • Publicly funded ad campaigns against street harassment or street violence for any reason including gender identity, race, ability, sexuality, class etc.

Health and Social Care

  • Improved provision of mental health care for pregnant women and new parents, particularly to address the risk of post-natal depression in its early stages.
  • Better awareness among healthcare professionals around issues of gender and Trans* and non-binary identities, and improved care for these groups whether or not they choose to have gender confirmation procedures.
  • Increase access to mental health care for women in general given proportions of women affected by ill health, ensure 18 week wait targets and NHS legislation is introduced in line with physical care agendas


  • Protection from harassment and violence for women and vulnerable members of society going through the UK asylum process.
  • Mental health provision for people arriving in this country having suffered domestic and sexual violence.
  • The EU to be lobbied for sexuality and gender identity to become protected statuses for refugees, as there is currently no protection in law for LGBTQ asylum seekers on the basis of their sexuality or gender identity.


  • More even representation in political parties of the general population – seeking to include women, people from a cross-section of ethnicities, LGBTQ people, people from different class backgrounds, and people with disabilities
  • Political culture to move towards civilised discussion of sustainable long-term policies, rather than the current model of focus on short term popularity for individual candidates.
  • Educational curriculum to include information on form and function of current political system, in order to encourage political engagement from a young age.

Justice, Crime & Violence

  • Need for UK penal system to be reformatted as a system of rehabilitation rather than punishment.
  • Awareness, sensitivity and respect towards vulnerable members of society should be integral aspects of the culture of the Justice system, as well as current mandatory diversity training.
  • An end to the two-year time-limit on evidence of domestic violence for a person to qualify for legal aid.

Education & Childcare

  • More work should be done in primary and secondary schools to be rid of the current gender gap (particularly in science subjects).
  • Education should include mandatory practical information on issues which will inevitably affect children when they leave school, such as basic economics, budgeting, nutrition and exercise, etc.
  • More Surestart centres to be opened/protected from closure to provide support to families


  • The various allowances for people who are unable to work should be allocated fairly so as not to penalise those genuinely too unwell to work.
  • No more zero-hours contracts.
  • Women still earn on average 85% of what their male counterparts earn; legislation must be put in place to deal with this pay gap.


  • Reinstate and increase the rate of universal child benefit and at the same rate for each additional child
  • End unfairness for single parent families, by ending tax breaks for married couples where one partner earns less (which could tie people into abusive relationships), and replace with a higher tax free threshold for everyone, and higher taxes for the very rich
  • Increase state benefits to a level permitting a good standard of living, with increased flexibility for claimants around childcare and attendance at jobcentres

Comments? Ideas? Please share them!

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Ladiyfest Sheffield & Festival of Debate presents: Sheffield’s Manifesto for a Feminist Government

Hosted by Ladiyfest Sheffield & Festival of Debate
Sat 25th April | 1pm-3pm | Moor Theatre Delicatessen, S1 4PF

What would YOU like a feminist government to achieve?
With inequality, sexism and violence a part of so many women’s lives, Sheffield’s Feminist Manifesto is a chance to create a list of demands for a government to inspire, liberate and find solutions to these problems.

Please join us for an inclusive meeting where we would like to discuss and debate the most important issues facing us as feminists today. The meeting will conclude with the writing of a manifesto drawn together from your contributions and presented to all those wanting your vote on 7th May.

We are in the process of creating an online survey, so that there will be the possibility for you to contribute to the manifesto even if you can’t attend in person on the date. Please check back with us soon for this option!

We would also like to invite you to SAVE THE DATE for Saturday June 6th – we hope to organise a feminist multi-disciplinary arts and performance festival that evening, where artists from all backgrounds can show work which directly responds to the manifesto. More information on this soon! Please get in touch if you are an artist or performer who might like to show work on the night, or can recommend a potential performer to us:

Please register your attendance for the Festival of Debate event at Moor Theatre Delicatessen on April 25th here.

Accessibility: The space is fully wheelchair accessible. We are working to clarify our full accessibility situation at present- more info coming soon. Please contact if you have any questions.

>> FB event! <<
Thanks! xx

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Designing out Suicide: Call out for submissions!

Designing out Suicide: Call out for submissions!
Sunnbear Zine is currently creating a collaborative mental health zine. Our specific aim is to raise the awareness of women suffering with suicidal thoughts/ideations or mental health problems, which could lead to suicide.

Why women?
In the UK this year approximately 6000 people will end their own life, 3 quarters of this figure will be men. Today the targeting of men in high profile campaigns for suicide prevention are more widely promoted than in women. In full support of existing campaigns that are targeted specifically at men we wish to create a new forum or an output that is tailored to support women, as a means of proactive balance. 90% of suicide is related some form of mental health problem, and there are many serious mental health issues that are statistically higher in women – for instance suicidal ideations are higher in women, as is unipolar depression. Arguably, these statistics may be higher due to women being more likely to seek help, either way the need to raise awareness and eliminate stigma is well-founded.

What is a zine, why create one?
A zine is a physical (and sometimes digital) self-published/produced/crafted/glued/stuck/mishmash book. The reason that we’d like to create a zine is so that we can make high numbers of copies at low cost and be creative in the process . We’ll be hosting workshops to encourage collaboration both in conversation and with the practical side of the making.

What do we want?
We want you to feel empowered to submit anything at all

– Your stories and experiences – do you yourself suffer with a mental health problem or know someone who does
– Short fictional stories – if you have any short stories you’d like to share around the themes above, please share them (this should also sit with ‘artistic’!

– Poetry
– Illustration / Design / Art
– Poetry

Self Help / Alternative solutions
– Advice – any tips for self-help and maintaining mental wellbeing and wellness / any bad advice you have received and why

What are the general themes of submission?
– Awareness
– Depression / Anxiety / Disorder
– Alternative solutions
– Therapy
– Drugs and Diagnosis
– NHS- Politics
– Stigma
– Empowerment
– Experiences
– Wellbeing
– Anything you feel fits within the theme of mental health and suicide in particular

Who can submit?
Male and female contributors that interested in sharing something, named or anonymously (we ask that you be over the age of 15)

How to submit?
I’ll be hosting creative workshops to encourage conversation, creative play and collaboration. Please don’t feel if you are not creative that you can’t attend – there will be something for everyone above the age of 14th.
You can submit work at one of the workshops listed below or via email.
If submitting over email scan or photograph your work
Email: or
If you would like to meet up and submit separately or would like a chat about the project, please contact the inboxes above.

Delivery date:
We would like all submissions to be made by the 27th of April so that the final zine can be distributed around the general election – however workshops are likely to run after that. We’d like to send a copy of the Zine out to MP’s around Sheffield and beyond!

I’ve set up a meeting for Monday (23rd of March) in the Showroom café, I’ll be talking about the themes in more detail and just wanted to have a bit of a start-up chat with whomever is interested in taking part.
I’m going to be putting on a drawing workshop on the following Sunday (29th) – location/info TBC!

If any of you have any questions please contact me here: or You’ll find more info about events and the general gist of the Zine on the following links

Link to 1st group chat even Monday the 23rd of March:

1st creative event: Zine and Drawing Workshop 29th of March TBC

More info:

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Queer Presence: Film Fest and Divine Disco, Sheffield, 18 April

divineDetails about a brilliant FREE event being organised by some of our friends in Sheffield. Go!

Facebook event here for you to put in your virtual diaries.

‘LGBT Sheffield and Interplanetary Division are proud to present the first in a new programme of events titled QUEER PRESENCE. Our launch event shall be South Yorkshire’s first Queer Film Festival. Oh did we mention its FREE. And we did it with no budget. Like none. I knowwwwww. You are welcome.

Once again the British Film Industry is not touring any of the films or events from its LGBT Flare Festival whilst putting on TEN DAYS of events in London so we thought right lets do our own punk DIY version.

So we asked directors and artists if we could show their films and they said YES. YEAHHHHH. So we are taking over the Theatre Delicatessen on the Moor for a day and a night. This will involve films in the day and a DIVINE DISCO in the evening following a showing of the I am Divine Documentary.



The full programme can be found here

and there is a summary below.

Ethical Partying

This event is brought to you by ethically minded volunteers who believe queer is not just about sexuality or gender. Its a mind set. Divine represented outsiders and with the rise in UKIP and austerity there are more outsiders than ever. Gay, lesbian, transgender, gender neutral, victims of the bedroom tax, people with mental health problems not helped by the welfare state, immigrants, strong women who don’t do what they are supposed to do, the partners of strong women who don’t do what they are supposed to do, those on low incomes working hard, allies who fight every day against discrimination on our behalf, anyone shouted at in the street for being themselves. THIS IS FOR YOU. COME AND DANCE AND REVEL WITH YOUR PEOPLE. PARTY AND MAKE A POLITICAL STATEMENT.


THE DAY – 12:30 – 17:30

We will be showing a series of films and documentaries in a number of categories which are as follows:

Feature Presentation – Show me Love
International Queers
Queer Gender
Queer Sheffield Then
Queer Sheffield Now
Queer Bodies
Documentary – The Cockettes

THE NIGHT – 8:00pm – 1:00am

A cool as flick lecture on the Cult of Divine by the fabulous Missy Tassles

A screening of the I Am Divine crowd funded documentary

Performance to cause discomfort

It ain’t a dirty word. The Divine Parade. Join us in clothing inspired by Divine and strut our makeshift catwalk to the screams of an adoring crowd. Or be an adoring crowd member. Whatever makes you happy. We just want you to be happy. You need to know that. If you need a hug you can have a hug.

Bop and slut drop to the music of Sheffield and London DJs. Michael Kelly Chella Quint

This is about QUEER LOVE…..any shade and you will be ejected…..we will not accept body fascism, economic discrimination, stupid questions about peoples gender, sexuality or dress (hint – just ask them politely), slut shaming, moaning, negativity, non-constructive criticism, justification of UKIP or Clarkson. We are proper hard line on the last two.

Any questions then just ask

Karl Olsen, LGBT Sheffield’

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The Duke of Burgundy: A Review!

This is a review of The Duke of Burgundy, between Cara, LaDIY organiser, and Sarah from Edge Of The Universe Printing Press. Contains some spoilers!

SARAH: Having seen it last night, here are my full thoughts on The Duke of Burgundy. I feel like it’s one of those films that I’m enjoying far more in hindsight, when I’m able to pick it over properly, than I actually did at the time. Still, overall I am definitely in the ‘fan’ camp. I really, really, really loved the aesthetic obsessions of the film, to the extent that the goodwill born of that pretty much saw me through the rest of its duration. But that soundtrack! That title sequence! That colour scheme! So, so great. Just the sound design and the staging was brilliant, I thought. I have a real fondness for a bunch of the stuff this film was influenced by (hauntology; 70s Euro-horror / Euro-sleaze; the accompanying soundtracks to both those things), so I was pretty much pre-destined to like it. I also liked the completely deadpan, “yeah, so?” weirdness of it. So, Cynthia and Evelyn live in a world of coiffured, bicycling women obsessed with both insects and BDSM. What of it?

Around the hour mark it began to lose me a bit (/ a lot) – the repetitions of the action (‘You’re late. You can start in the study’ etc.) was obviously there to say something about the two leads’ relationship, but that didn’t make it any less patience-testing to actually have to sit and watch it. I also felt like a lot of the film only had a real impact if you “got” the joke – you had to be part of the in-the-know in-crowd to understand what Strickland was referencing and riffing on. So, I had an “aha!” moment when the film “breaks down” (during Cynthia’s increasingly delirious dream sequence, when she finds the skeleton in the coffin, and Evelyn’s wandering around outside, and the screen is filled with moths and moth’s wings), because I “got” that this was a very explicit reference to landmark experimental film ‘Mothlight’ by Stan Brakhage (with a dash of when the film “breaks” in Bergman’s ‘Persona’). This “I got the joke!” pleasure was instantly followed by annoyance, as I find the in-built alienation of these kind of clever-clever filmic references pretty off-putting.

Patient-testingly slow as it could be at time, I also really enjoyed watching the relationship develop between the two lead women. I thought it was really well played (I really liked that they treated the potential ridiculousness of some of the situations so seriously and tenderly), and found the way that their very different needs became slowly more apparent, even though they clearly did have real love for each other, fairly heart-breaking.

Have you had time to digest it now? Whaddya think?

CARA: HEY! Thanks so much for writing all of that, you should add it to the LaDIY post I put, or let us feature it as a review on the blog!!!

I really liked all the colours and aesthetics too! It reminded me of some films that I saw ages back at Bungalows that someone put a small series of, weird Czech surrealist/new wave stuff like Daisies (that’s the only title I can remember).

I enjoyed the dynamics of the relationship, really silly little things like clicking of fingers when snoring, doing things with each other for the other person even tho its not what you want to do all the time, little nuances that are so true in loving and yet tired relationships and often overlooked in lesbian/queer cinema, it was very untypical of that genre – It felt like a very real relationship, albeit an unusual one. I smirked at their world too, a lecture theatre full of women all beautifully polished – did you notice there were actually manequins in those audiences too, was there some meaning/link to those that I might have missed? I defintely didn’t get the injoke you did about Mothlight, I’ll mention it to Jo though and see if she caught on!!

As a fairly standard cinema viewer, I did feel a bit lost at times, I wasn’t sure what all of the repetition was meant to be alluding to. A lot of what you said makes real sense though

SARAH: Hey! Glad you enjoyed my rambling – I do have a tendency to get carried away with analysis when it’s a film that’s interesting…

Speaking of interesting, this article on the director’s influences is pretty good (with Strickland being as intimidating knowledgeable as you’d expect):

Oh, and of course if you’d like to you can feature my “review” (such as it is!) on the blog! Though I thought what you’re saying is really interesting too: I loved how minutely observed the dynamics of the main relationship was, but I hadn’t really thought about how little you see that kind of thing in queer cinema. You’re right! So often these films seem to be coming out narratives, or involve at least some kind of conflict directly born of characters’ sexualities; queer relationships are so rarely depicted as just normal, even mundane (and all the repetition of their BDSM set-pieces meant the couple in ‘Duke’s’ relationship did seem to be plodding a bit) that it made this film feel really refreshing.

So, I thought maybe if you want to put some ‘Duke’ thoughts on the blog, it could be as a kind of discussion between us, rather than just me pontificating?!

Anyway. Totally missed the mannequins sat in the audience at the butterfly lectures thing. I’ve recently decided on a new film watching tactic where I sit right in the front row of the cinema, which makes films so intense that I think I actually end up missing a lot of stuff…


Did you go see this film as well, let us know what you thought!

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GUEST POST: Excluding Transgender People Doesn’t Make Anything Safer For Anybody

Content note: this piece contains descriptions of transmisogyny, homophobic bullying and sexual assault.

Recently I read an article in the New Statesman in which the writer recounted her experience of rape, and the subsequent lack of empathy and care she experienced from the men around her. My heart sank as I read this all too familiar story. I felt a surge of empathy with the woman, as well as anger on her behalf.

And then my heart sank even further, and the anger I had felt in solidarity with this woman turned towards her, as she made the argument that, having felt safer and more able to recover from her ordeal in “female only” spaces (implication: spaces that do not admit transgender women on the basis of their gender assigned at birth), there was a reasonable debate to be had about the exclusion of transgender women from such spaces. While I respect the right of anyone who has been assaulted to a space in which they feel secure, I find myself once again faced with this implication that the exclusion of transgender women from a space somehow makes it safer for cisgender women.

Let me be clear: the majority of sexual assaults are carried out by cisgender men, but there are sexually abusive people of all genders. That includes cisgender women.

I’d like to tell you a story from my past. It is not a story of rape; it wasn’t even something I always thought of as sexual assault. I believed, you see, that only men could be sexually abusive. I also believed it could only be sexual assault if the assaulter was attracted to the victim.

At 14, I was an awkward misfit who was bullied constantly. My tormentors were almost always female. I didn’t know, then, that words used to humiliate me (“Lezzer!” “Queer!” “Dyke!”) would one day be labels I’d wear proudly. I just knew that I didn’t fit in, that I was reviled by most of my classmates. The most dangerous time for kids like me was P.E. The changing rooms were always unsupervised: (Why not? We were all girls together: there could be no danger of hassle from boys.) As such, it was common knowledge that one of us unpopular girls would be kicked, punched and mocked by the bullies while trying to change into her gym kit. We never knew who was next. On this occasion, it was me. I got into the gym already bruised, aching and with the knowledge that worse was to come. The changing room torture was always the warm-up act.

As our teacher had us warm up, several girls leaned over to kick or slap me as I stretched, letting me know I was no safer here than in the changing room. I don’t know what that teacher saw, whether she assumed it was nothing more than a mild tiff, just something minor between girls. I don’t know if she heard the stage whispers (“Lezzer!” “Dyke!” “Queer!”) as they echoed around the hall. Perhaps fear of reprisals under Section 28 stopped her. Perhaps her own sexual orientation was on her mind and she feared that taking a stand might lead to trouble. I do know that she watched as a group of five girls dragged me onto the mats in the corner and began simulating sex with me. I was straddled and groped, my face was licked. The ringleader groaned in mock pleasure to whoops and laughter from her gang. I do know it was loud.

I don’t know how I managed to push her off me. I think panic mixed with incredulity and fury that no help was coming gave me an adrenaline boost. I don’t remember what happened next but I am informed I scaled the climbing bars with a speed nobody had ever seen from my timid, uncoordinated self. I remember becoming aware that I was now around 15 feet off the ground and that the whole class was staring at me. And that I was screaming.

Later, in her office, the head of year told me she was really sorry the “teasing” had been allowed to go too far, but these “spats” between girls really had to stop. I remember the phrase “It’s six of one and half a dozen of the other” being used. I didn’t know how to say I had been assaulted, and the assault was of a homophobic and sexual nature. I didn’t know. The girls in question never faced any reprisals for what they did to me, but they left me alone after that.

I’ve told this story before, as a funny anecdote. The day I defeated the bullies by acting “crazy” so they never bothered me again. The day I scared my poor teacher to death because what she thought was a suicide threat was me, the adrenaline rush gone, trying to work out how the hell I was supposed to get down. I minimised and repressed the reason I got up there in the first place for years.

Because “cisgender women don’t sexually assault other women.”

Because “cisgender women don’t stand by and watch another woman be assaulted”

What happened to me could not really have happened because it happened in a space everyone in authority presumed to be safe.

Had I been given the opportunity to recover in a “safe space”, who should have been excluded to preserve that safety? Cisgender men? They hadn’t done anything to me. Cisgender women? That would have kept me out. Should my attackers and their enablers been allowed access to me on the grounds that their sex organs were like my sex organs? Should transgensder men (and non-binary gender people assigned female at birth) have been excluded on the grounds that their sex organs were like those of my attackers?  If I had consciously known any transgender people then, I suspect we’d have had plenty in common. They’d certainly have been more likely to empathise with the constant threat of abuse I lived under than anyone around me at the time: transgender people, especially trans women, live with constant risk of assault. Perhaps we would have been able to support each other by finding our common ground.

It’s not the presence of people assigned male at birth that makes a space unsafe, it’s imbalance and abuse of power, and tolerance, or lack of recognition, of that abuse. Transgender people do not wield that kind of power over cisgender people. In fact, the reverse is true. This is not a “six of one, half a dozen of the other” argument. The power imbalance here is immense, and it’s weighted in favour of the group doing the excluding. The exclusion of transgender people by cisgender people from refuges, hostels and other “safe spaces”, from our communities, our support networks and our families is an abuse of our privilege and power. It perpetuates the abuse those places should help protect us all from.

Sarah Thomasin is a poet and sex educator from Sheffield.

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